◎译 名 暂无
◎片 名 The Tiger's Tail
◎年 代 2006
◎国 家 爱尔兰
◎类 别 剧情/神秘/惊悚
◎语 言 英语
◎字 幕 未知
◎IMDB评分 6.0/10 (90 votes)
◎IMDB链接 http://www.imdb.com/title/tt0490499
◎文件格式 XviD + MP3
◎视频尺寸 未知
◎文件大小 1CD 37 x 20MB
◎片 长 103 Min
◎导 演 约翰·伯尔曼 John Boorman
◎主 演 布兰德·格里森 Brendan Gleeson .... Liam O'Leary
吉姆·坎特拉尔 Kim Cattrall .... Jane O'Leary
斯安·辛德斯 Ciarán Hinds .... Father Andy
Sinéad Cusack .... Oona O'Leary
肖恩·麦金利 Sean McGinley .... Declan
Angeline Ball .... Ursula
Cathy Belton .... Sally
Denis Conway .... Bertie Brennan
Michael FitzGerald .... Male nurse
Briain Gleeson .... Connor O'Leary
David Herlihy .... Ursula's husband
John Kavanagh .... Harry
Sean Markey .... Drinker
Ruth McCabe ....
Charlene McKenna .... Samantha
Conor Flannery .... Extra in Bar & Disco (uncredited)
◎简 介
Far from being a roaring, sinewy beast with a lot of bite that the title might suggest, John Boorman's latest has more in common with a lumbering white elephant.
Brendan Gleeson takes on the dual roles of Liam O'Leary, a high-flying property developer who has come up the hard way and the Yorkshire-accented twin (at least, I think it was Yorkshire) he never knew he had, come to steal his life.
Liam is a rufty-tufty Irish sort who has ridden the Celtic tiger all the way to the top of his trade and now lives in a beautiful house with his beautiful wife (Kim Cattrall, sporting an dubious Oirish accent) and son Connor (played by his real-life son Briain). When he starts to see his doppelganger, he tries to corner him - but his family think he's just losing his mind.
He goes to see his mum to discover the truth and sees the life he thought he knew disintigrate as a result. When his double hatches a plan that sees the real Liam in the dock for being an imposter, things begin to spiral out of control - not just for Liam, but in terms of the plot.
The tone of this film is all over the place, jumping from mystery thriller to black comedy, to social satire and back again as if on a whim. There is also a particularly disturbingly mysoginistic scene, in which Cattrall is, to all intents and purposes, raped, yet laps it up as if it was the best thing that ever happened to her.
There is no doubting Boorman wants to make a point about the rich getting rich and the poor getting poorer in modern-day Ireland, but by taking it on through a 'prince and pauper' plot device the film feels as though it is stuck in a decade long-since past. It seems Boorman wants to show us everything - dodgy hospitals, lack of mental care facilities, drunken yobs who puke in the street, bribery and corruption at the highest level - but by jamming them all in, he gives them an unreal, cartoonish quality, that lacks any real grit.
The characters are equally uneven. Connor, for example, is, on the one-hand portrayed as a savvy, Marx-spouting paid up member of the Communist party, yet on the other as a golf-playing Generation X-er who is potentially suicidal over a girl.
Gleeson delivers a bravura performance - but even putting in double the effort is not enough to rescue the script.
