04.30.04.Neil.Young.And.Crazy.Horse.Rust.Never.Sleeps.2002.DVDRip.XviD-LiNE

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1. /-=PUB=-/04.30.04.Neil.Young.And.Crazy.Horse.Rust.Never.Sleeps.2002.DVDRip.XviD-LiNE/

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◆原 片 名：Neil Young And Crazy Horse Rust Never Sleeps
◆出品年代：2002
◆MPAA级别：PG 级
◆IMDB链接：http://us.imdb.com/title/tt0079834/
◆IMDB评分：6.5/10 (118 votes)
◆国　　家：美国
◆类　　别：音乐
◆导　　演：Neil Young
◆主　　演：Neil Young .... Himself
            Ralph Molina .... Himself
            Frank 'Pancho' Sampedro .... Himself
            Billy Talbot .... Himself

◆文件格式：XviD @ 1639 kb/s + Lame 192 vbr
◆文件大小：2CD 50x15MB + 50x15MB
◆视频尺寸：512x320
◆影片长度：115 Mins
◆对白语言：英语
◆字幕语言：无字幕

◆内容简介：
Rust Never Sleeps, its aphoristic title drawn from an intended advertising slogan, was an album of new songs, some of them recorded on Neil Young's 1978 concert tour. His strongest collection since Tonight's the Night, its obvious antecedent was Bob Dylan's Bringing It All Back Home, and, as Dylan did, Young divided his record into acoustic and electric sides while filling his songs with wildly imaginative imagery.

Rust Never Sleeps ─ 其箴言式的标题名来自一句蓄意策划过的宣传口号 ─ 是一张收录老杨新作的专辑，其中某些歌曲录自他 1978 年的巡回演唱会现场。 这是老杨继 Tonight's the Night 之后最佳的作品组合， 它在概念上明显依循着的前例，正是迪伦的 Bringing It All Back Home， 而如同迪伦所做过的，老杨在这里将唱片分为集合了不插电作品的一面， 以及另一面的插电摇滚歌曲，同时在这些歌曲里， 灌注了恣意奔放、充满狂野想像的意象。

The leadoff track, "My My, Hey Hey (Out of the Blue)" (repeated in an electric version at album's end as "Hey Hey, My My [Into the Black]" with slightly altered lyrics), is the most concise and knowing description of the entertainment industry ever written; it was followed by "Thrasher," which describes Young's parallel artistic quest in an extended metaphor
that also reflected the album's overall theme — the inevitability of deterioration and the challenge of overcoming it.

专辑的首支歌曲，"My My, Hey Hey (Out of the Blue)"，(此曲在专辑最末以插电重摇滚的版本重复了一次，仅在歌词的部分稍作改编，  并更名为 "Hey Hey, My My [Into the Black]")，是音乐创作史上，关于演艺业界本身，最扼要、理解最为清晰的一次描述。接下来是 "Thrasher"，这首歌以一种指涉层面宽广的隐喻方式，侧写老杨自己在艺术创作上的探索和征途。歌词里的隐喻，同时也反映出整张专辑的全面主题 —退步和堕落的必然，以及将之克服的艰钜挑战。

Young then spent the rest of the album demonstrating that his chief weapons against rusting were his imagination and his daring, creating an archetypal album that encapsulated his many styles on a single disc with great songs —in particular the remarkable "Powderfinger" — unlike any he had written before. — William Ruhlmann

接着，老杨藉由专辑里的其他歌曲， 展现出他用以对抗锈蚀衰堕的主力武器，正是他的想像力、创意，和他勇于突破的胆识，并如此完成了一部范例级的专辑，一部以单一唱片涵括他诸多音乐风格、并集合了与他先前作品差异甚大的卓越歌曲(特别是出色的 "Powderfinger") 的专辑。