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09.10.04.Pyongyang.Diaries.1997.DVDRip.XviD-HanStyle 平壤记事 [复制链接]

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发表于 2004-9-12 02:26:10 |只看该作者 |倒序浏览

/-=PUB=-/09.10.04.Pyongyang.Diaries.1997.DVDRip.XviD-HanStyle/

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■原片名：Pyongyang Diaries
■中文名：平壤记事
■出品年代：1997
■MPAA级别：PG 级
■IMDB链接：N/A
■IMDB评分：N/A
■国　　家：澳大利亚
■类　　别：记录片
■导　　演：索伦·荷阿斯（Solrun Hoaas）
■主　　演：N/A

■文件格式：XviD + AC3
■文件大小：1CD 49x15MB
■视频尺寸：544x400
■影片长度：68 Mins
■对白语言：英语原声
■字幕语言：无字幕

■内容简介：
A documentary that records a filmmaker's personal encounter with the closed society of North Korea (the Democratic Peoples Republic of Korea). First in the context of participation in the Fourth Pyongyang Film Festival of Non-aligned and Other Developing Countries in 1994, only three months after Kim Il Sung's death, and on a return visit both as tourist and participant in the same festival two years later in 1996, after floods two years in a row have seriously damaged crops. In a post-modern landscape that confronts us with showcase monuments and bombastic images of progress, the film explores these images as presentation of an idealised reality, and between them, forms an image of the people through observations, conversations, and personal diary reflections on other experiences at the time of filming. These reveal contradictions, but also give a sense that there are individual human beings living within this very restrictive regime, who are eager for more contact with the outside world. The film focuses on the almost religious personality cult, emphasis on unity, nationalism and sense of pride in perceived self-reliance, as well as a fear of being misunderstood by the outside world. We are constantly confronted by reminders of the struggle of the past, against the Japanese colonisation 1910-1945, Kim Il Sung's mythologised role in it, the use of religious symbols such as Mt. Paektu, now considered the sacred mountain of the revolution. In the middle of the hammer and sickle stands the writing brush, as a symbol of the role of artists and intellectuals in the society. The arts play a significant role in boosting the leader image of son and successor-designate Kim Jong Il, and are used to boost morale in a difficult period. The film looks at the role of cinema, through interviews with actors and young drama students. It attempts to find some truths behind the facade by probing and revealing contradictions and evasions. The film is also framed in an awareness of the worsening crisis of famine in North Korea at the time of editing.

Pyongyang Diaries records the Solrun Hoaas'personal encounter with the closed society of North Korea.
Through observations, conversations and reflections in personal diary form, the film conveys an image of the the people. Despite evident contradictions, the audience gets a sense that there are individual human beings living in a very restrictive regime who are eager for more contact with the outside world.

隐藏在铁幕下的不为人所知的一面
瑞典籍女性导演 Sorlun Hoaas 于94年及96年两度访问朝鲜。
第一次是94年是携影片《Aya》参加平壤电影节，正值金日成去世三个月；第2次是96年携影片《八重樱的故事》以参加者和旅游者的身份再次参加平壤电影节，这时的朝鲜刚刚经历连续2年的严重的粮食短缺和饥荒。
利用这2次访问的机会，她精心的纪录了平壤市民的日常生活。是一些在西方民主主义的价值观下，绝对理解不了的独自的世界中拼命生活的北朝鲜的人们。本作品中通过写实夹杂着采访的形式，实事求是地捕捉了他们的日常生活，这是在电视中和宣传媒体的访谈中无法看到的北朝鲜市民的真实的影像。